Student provedl analýzu rozmanitých aspektů spojených s románem Kmotr
týkajících se děje, prezentovaných postav a dialogů, stejně jako aspektů příběhu méně vhodných pro přímou prezentaci ve filmové produkci. Dále student porovnaltři filmové adaptace s Puzovým textem, mimo jiné také způsob, jakým byly změnypřizpůsobeny problémům týkajících se filmového publika a dále rozvíjenyrenomovaným režisérem a herci. Dle mínění většiny jsou Kmotr I a Kmotr II, obaoceněné cenami akademie, výrazně lepší než Kmotr III. Bude zajímavé znovu totovnímání vyhodnotit na základě tohoto porovnání.
Annotation in English
The student undertook an analysis of the varied aspects linked with The
Godfather regarding plot, character presentation and dialogue, as well as aspects of the narrative less conducive to direct representation in the film productions. Then the student compared the three film adaptations with Puzo's text, comparing and contrasting the original novel with the three adaptations, referring to, among other aspects, how changes were adapted to issues pertaining to a cinematic audience and further developed by the renowned director and actors. The general consensus is that The Godfather I and The Godfather II, both winning academy awards, were vastly superior to The Godfather III. This comparison re-evaluates that perception.
Keywords
Kmotr, Don, consigliori, rodina, podnikání, román, filmová adaptace, mafie, Italové
Keywords in English
Godfather, the Don, consigliori, family, business, novel, film adaptation, mafia, Italians
Length of the covering note
IV, 34 s. (59 188 znaků)
Language
AN
Annotation
Student provedl analýzu rozmanitých aspektů spojených s románem Kmotr
týkajících se děje, prezentovaných postav a dialogů, stejně jako aspektů příběhu méně vhodných pro přímou prezentaci ve filmové produkci. Dále student porovnaltři filmové adaptace s Puzovým textem, mimo jiné také způsob, jakým byly změnypřizpůsobeny problémům týkajících se filmového publika a dále rozvíjenyrenomovaným režisérem a herci. Dle mínění většiny jsou Kmotr I a Kmotr II, obaoceněné cenami akademie, výrazně lepší než Kmotr III. Bude zajímavé znovu totovnímání vyhodnotit na základě tohoto porovnání.
Annotation in English
The student undertook an analysis of the varied aspects linked with The
Godfather regarding plot, character presentation and dialogue, as well as aspects of the narrative less conducive to direct representation in the film productions. Then the student compared the three film adaptations with Puzo's text, comparing and contrasting the original novel with the three adaptations, referring to, among other aspects, how changes were adapted to issues pertaining to a cinematic audience and further developed by the renowned director and actors. The general consensus is that The Godfather I and The Godfather II, both winning academy awards, were vastly superior to The Godfather III. This comparison re-evaluates that perception.
Keywords
Kmotr, Don, consigliori, rodina, podnikání, román, filmová adaptace, mafie, Italové
Keywords in English
Godfather, the Don, consigliori, family, business, novel, film adaptation, mafia, Italians
Research Plan
The student will undertake an analysis of the varied aspects linked with the aforementioned novel regarding plot, character presentation and dialogue, as well as aspects of the narrative less conducive to direct representation in the film productions. Then the student will compare the three film adaptations with Puzo's text, comparing and contrasting the original novel with the three adaptations, referring to, among other aspects, how changes were adapted to issues pertaining to a cinematic audience and further developed by the renowned director and actors. The general consensus is that The Godfather I and The Godfather II, both winning academy awards, were vastly superior to The Godfather III. It will be interesting from this comparison to re-evaluate that perception.
Research Plan
The student will undertake an analysis of the varied aspects linked with the aforementioned novel regarding plot, character presentation and dialogue, as well as aspects of the narrative less conducive to direct representation in the film productions. Then the student will compare the three film adaptations with Puzo's text, comparing and contrasting the original novel with the three adaptations, referring to, among other aspects, how changes were adapted to issues pertaining to a cinematic audience and further developed by the renowned director and actors. The general consensus is that The Godfather I and The Godfather II, both winning academy awards, were vastly superior to The Godfather III. It will be interesting from this comparison to re-evaluate that perception.
Recommended resources
Puzo, Mario, The Godfather. (New York: Putnam, 1969).
Akkan, Goksu Gigi, "The Godfather and the American dream" In: Journal of Media Critiques. (Blanquerna Ramon Llull University, Spain, 2017): 26-31.
Little, William G., "'Like an Animal': Figures on the Move in The Godfather" In: Post Script.: 84-100.
Berliner, Todd: "The Pleasure of Disappointment: Sequels and The Godfather, Part II" In: Journal of film and video 53:2 & 3. (Summer/Fall 2001): 107-122.
Poon, Phoebe, "The Tragedy of Michael Corleone in The Godfather: Part III" In: Literature Film Quarterly. (January 2006): 64-69.
Recommended resources
Puzo, Mario, The Godfather. (New York: Putnam, 1969).
Akkan, Goksu Gigi, "The Godfather and the American dream" In: Journal of Media Critiques. (Blanquerna Ramon Llull University, Spain, 2017): 26-31.
Little, William G., "'Like an Animal': Figures on the Move in The Godfather" In: Post Script.: 84-100.
Berliner, Todd: "The Pleasure of Disappointment: Sequels and The Godfather, Part II" In: Journal of film and video 53:2 & 3. (Summer/Fall 2001): 107-122.
Poon, Phoebe, "The Tragedy of Michael Corleone in The Godfather: Part III" In: Literature Film Quarterly. (January 2006): 64-69.